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Lilac Days

Year released: 2017 Label: Soundeffect Records

Album Description

It’s easy to guess Acid Baby Jesus’ shtick just going on their name but to those who aren’t already in the know: don’t be fooled into thinking these are just another quasi-religious, LSD-loving psych-rock band - there’s a reason these Greek garage-rockers have been championed so highly in the European scene. Acid Baby Jesus are less.

Formed in Athens in 2009 the four-piece have two LPs behind them, ‘LP’ and ‘Selected Recordings’, and after a long three-year wait they’re back with their third album ‘Lilac Days’ – their first on Fuzz Club Records. The album sees ABJ at their best; their frenetic garage-rock distilling a hazy mix of 60s Western psychedelic pop, traditional Eastern folk and the scuzzy R'n'R sounds of The Stooges or Brian Jonestown Massacre.
Bandcamp iTunes Amazon Music
01. Driving in my car
2:41
02. Fight no more
2:43
03. Fire Dancing
2:17
04. Heart Attack Blues
1:44
05. Into the Wave
1:36
06. Let Me Know
2:27
07. My Machine
2:57
08. Overdrive
2:14

Credits & Liner Note

Guest Musicians

Andrew Best – guitar (tracks 1, 3)
John Wired – synth bass and effects (track 1), viola (tracks 8, 9)
Francesco Overdrive – cello (track 4)
Scarnella – guitar (track 5)
Jessica Bone – cello (track 6)
Sophie Third Uncle – violin (track 6)
Jessica Most Wanded – violin (track 6)
Thierry Lion – contrabass (track 6, 9)
Shahzad Earving – guitar (track 8), percussion (track 9)

Credits

Arranged By – Rian Beno (tracks: 5, 8), David Howie
Mastered By – PF
Producer – David Howie, Tommy Misconti

Notes

Recorded at The Plateau and Chansa by the Mall
Mixed at Chansa by the Mall
Cover photo from : The Man Who Yell to Earth, a Zinema 4 release

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Press Reviews

"Ranks among the most provocative work [Omega Ray] has done in recent years."
Tiny Mix Tapes
"Rather it investigates, explores, and experiments to open-ended conclusions, and to that end, it succeeds magnificently."
All Music Guide
"There's an inexplicable beauty to the maddening frequencies and drumming that abounds here...a profoundly interesting album."
The 405

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